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Vita Gruodytė

The Distance of Presque-rien Between the Musicology and the Philosophy of Music

Vita Gruodytė

Epistemological Approach to Correspondence: Silent History of Intimate Spheres

Speaking of western musical research, Charles Rosen stressed the importance and necessity of historical interpretation. For him, cultural...

Vita Gruodytė

VYTAUTAS BACEVIČIUS IN THE CONTEXT OF INTERWAR PARIS

[Some Reflections on the Parisian Years of Vytautas Bacevičius] Perhaps it would not be an overstatement to say that for Vytautas...

Vita Gruodytė

Opera without Theatre

http://www.hippocampus.si/ISBN/978-961-7055-51-1/mobile/index.html#p=165 "Burn the opera houses" When Pierre Boulez suggested in 1967 to...

Vita Gruodytė

The Debussy Mode According to Burgess

https://www.cambridgescholars.com/anthony-burgess-and-france The starting point of this analysis operates under a purely musicological...

Vita Gruodytė

Following the Traces of Julius Juzeliūnas’ Chord Theory

20th-century music evolved through contradictions and oppositions. It oscillated between the avant-garde, which sought to radically break...

Vita Gruodytė

Lithuanian Musicology in Historical Context: 1945 to the Present

Surveying critically a half-century of Lithuanian music scholarship, this essay sketches, for the first time, a sociological portrait of...

Vita Gruodytė

Happening Instead of Rupture, or Rupture as Happening

We must admit that throughout the whole period after the restoration of independence in 1991, the Lithuanian music scene did not...

Vita Gruodytė

Le Grand Macabre at the Crossroads of two exiles

The meeting between hungarian composer Györgi Ligeti and lithuanian scenographer Aliute Mecys was a unique encounter between two artists,...